Austin City Limits (2009) Day 2 Photos and Review!

WORDS: Q. Manning

You’d be hard-pressed to imagine a way that Day Two of ACL Fest could have been different from Day One. Whereas the day before had everyone putting on sunblock and buying cowboy hats/sunglasses (I know I had to), Day Two created an ocean of umbrellas and ponchos.

After the first day, I thought I had a pretty good handle on the supplies necessary to brave ACL Fest. I headed to Wal-Mart at 5:30am and grabbed a new backpack, hand sanitizer, Febreeze, gum, band-aids for my newly acquired blisters and everything else I could think of. I was pretty damn proud of my ability to plan and off we headed to the festival.

But all my planning was for naught, as I forgot the one thing needed most: the poncho. We waked our way to the festival, or in my case, hobbled my way, and as we crossed the Colorado River/Ladybird Lake, all you could see on both sides were rain clouds and drizzling. But we had hope things would let up, and onward we soldiered.

We started the festival with an interview with the Suckers, a progressive rock-band based out of Brooklyn, New York who played 2009 SXSW here in Austin. The band only has out a single EP of 4 songs, but is currently in the studio finishing up some new material for a full LP release, but more on that during Sunday’s coverage when the band plays.

After the interview, the rain let up and we were able to get out to the Grizzly Bear show at the Dell stage. The crowd was excited with seeing the band away from the bad weather as the sun had finally started to peak its way through the thick quilt of clouds. Grizzly Bear played a solid set, being forced a little back from the front of the stage due to the rain. Grizzly Bear played SXSW already and apparently rocked the house, but this time around, some of the pure musicianship from the album just didn’t translate. Maybe it was the potential of rain or maybe it was the open-air format, but when the mud settled, it felt like some of their magic was lost.

By this time, the sun had come out and we were thinking today would end up being great. The rain wasn’t too bad to have destroyed the landscape and Paul and I were both comfortable taking photos and not being worried about our equipment getting destroyed. Flogging Molly was the next stop for us and the energy and anticipation of the crowd made the air crackle. Or that’s what I thought it was, because about 5 minutes before the band started, the rain went from a drizzle to a torrent and we just couldn’t risk the equipment.

To the chagrin of all in attendance, we had to push our way back out of the crowd and stand on the edge of everything where the band did their thing. From the first note, the crowd was going and many folks there were warning people to go ahead and put their umbrellas away because once the pit started, all rules were off. Big words, but the actions didn’t quite match. Even the diehard who were willing to let the music move them found their spirits a little soggy. But the band never let up, probably because they’re used to this sort of weather in their native Ireland.

We headed back to the Press area to escape the rain and hopefully wait things out. Luckily for us, a media outlet didn’t show up and their tent was available for some of us to hang out in. After about an hour we checked the weather and it just wasn’t going to let up for the rest of the day, so we made the call to leave for the day and see how things would be the next day. For my purposes, I could watch coverage on Hulu and see some of the bands we wanted to cover. Unfortunately for Paul, photos of his computer screen don’t have quite the same impact.

As for the bands later that night, only Ghostland Observatory was being broadcast on Hulu. Watching the show online was a much lesser experience, but some of GO’s patented badassery still came through. Austin music fans have no doubt seen this distinct duo, but it was nice to think of all the exposure the band would get from Hulu and ACL itself. Electronica fans know who they are, but what about fans of Pearl Jam or Flogging Molly? Now they’d get a chance and Ghostland didn’t let Austin down. Frontman Aaron Behren stalked around the stage like a pro, his high pitched, Freddie Mercury-laden voice echoing throughout the park.

Right before I hopped into the shower to wash off the funk of the day, Paul told me he had a 103 degree fever and wouldn’t be able to shoot on Day Three. Now I was going to be writing and photo-documenting the event.

All I could hope for was a better climate than Saturday, otherwise, things were going to get really tricky, really fast.

CHECK OUT ALL THE PHOTOS FROM DAY TWO OF AUSITN CITY LIMITS HERE!

CHECK OUT ALL THE PHOTOS FROM DAY ONE OF AUSITN CITY LIMITS HERE!

Jump Clubb “The Love of No Dance” – Album Review

There’s been a lot of hype about Jump Clubb (Anonymous Band From Beverly Hills). I’m not quite sure who they are but I do know that I really enjoy the beats they’ve been spittin’ out. Their debut album “The Love of No Dance” dropped yesterday, Oct. 6, 2009 and its all sorts of good. Pushing seven tracks of sweet electro sounds and seductive lo-fi vocals, “The Love of No Dance” boasts a mere 20 minutes of music. With an album so brief yet alluring, why not review the whole damn thing track for track:

1. Green Light – This track has beats that resonate from the mid 90’s rave stylings. Although a bit more refined and echoing with sexy, subtle male vocals, there’s a very provocative essence to “Green Light.”

2. A Frozen Hug – By far one of my favorite songs on the album. Carrying a dreamy, yet tribalesque beat, this vivacious dance number will get your body moving to the lush sounds and whispering vocals doused in this track.

3. The Love of No Dance – With galactic bursts of sound riddling the background with ambient life, title track “The Love of No Dance” is very mellow, very chill, and very sexy.

4. Please Excuse Us – I have no idea who they’re sampling at the intro of this track, but he sounds very big and scary. That deep dark voice quickly looses all its shake appeal once the lovely strings and melodic beats come into play.

5. Lets Crash This Party – Breaking into a groovy jam of beats and elegant woodwinds, “Lets Crash This Party” carries the loveliest of instrumentation on the entire album. At one point it reminded me of ancient Incan flute music. It was very delicate and organic, but oh-so-hot! Another favorite of mine.

6. I’d Rather Be Played – This is probably the only track where the soft and mysterious vocals actually show any emotion or changing energy. The fuzzy words start slow and then climax into a demanding plea to “dance with me tonight,” while an almost-annoying robotic chorus chimes in with their two cents.

7. Spraypaint – Closing up their debut LP with a calm track rolling with trance beats, ambient synths and light drums, “Spraypaint” will leave you craving more of that mysterious Jump Clubb sound.

So who the fuck are these peeps? Although their band goes by the name of Jump Clubb (Anonymous Band From Beverly Hills), I do hear some references to Brooklyn in “Spraypaint.” Hmm …

Stay tuned for an interview with Jump Clubb and be sure to pick up their debut LP “The Love of No Dance” here. It’s short and sweet and something your gonna wanna Jump on.

Click here for FREE music from Jump Clubb.

Animal Collective Set to Reissue 2003 Album “Campfire Songs” on Paw Tracks

Paw Tracks is proud to present the reissue of Animal Collective’s 2003 album “Campfire Songs.” Since the CD’s original issue on Catsup Plate recently went out of print it is their intention to simply keep the cd in print for as long as possible.

While the songs were completed in the apartment that three of the members shared (Geologist does not play on this album) they chose to record the music on a screened-in porch in Maryland using portable mini disc players so as to allow the ambience of trees blowing in the wind, the birds chirping and the insects in the area to become an integral part of the sound flow. What remains intact are the melodies that have always
been a part of the AC sound-though here they have been stripped away of any electronic accompaniment and stretched and slowed to a calmer place than anywhere AC had been before and perhaps has gone since.

Animal Collective
“Campfire Songs”
(Paw Tracks)
Street Date: Jan. 26, 2010

1. Queen In My Pictures
2. Doggy
3. Two Corvettes
4. Moo Rah Rah Rain
5. De Soto De Son

“Adventures of Power” Featuring The Honey Brothers!

“I’m not pussy-footing, I’m double bass drumming!”

You gott check this flick, it looks all sorts of ridonkulously funny! Ari Gold is like a cooler (but still-so-nerdy) version of Napoleon Dynamite, while Enoturage’s Adrian Grenier has never looked so sexy-cheezy all at once! Watch the trailer below.

If you’re in the NYC, there’s a kick-ass premiere party today! More deets below!

POWER NEW YORK CITY PARTY

• KnittingFactory, Brooklyn, Metropolitan and Havermeyer
• Wed Oct 7, 8pm-3am.
• The Honey Brothers, The Prigs, World War, and DJ Jonathan Toubin from New York Night Train spinning tunes all night!
• $10 minimum suggested donation to support The Impact Repertory Theatre, the Oscar-winning children’s music non-profit school, who will also be performing!
• Prizes, movie clips, puppies and kittens!
• 18+. NO GUEST LIST. NO RSVP. NO VIP. POWER TO THE PEOPLE!

ABOUT: “ADVENTURES OF POWER”

• Opens October 9 in New York and Kentucky!
• Opens October 16 in Los Angeles!
• Opens in theaters around the country–watch the trailer and join us at:http://www.adventuresofpower.com
• Starring Hoyt Honey and Honey duContra (Adrian Grenier), music by Raw Honey, with some harmonica by Dory Honey and a character named after Dr. Carl Honey!

Amoeba In-Store Shows for the First Half of October!

A little on the lighter side for the first half of October, here’s your FREE,  all-ages Amoeba in-store performances.

Amoeba Hollywood
10/8 – Stewart Copeland Book Signing
10/9 – N’dambi
10/11 – Poncho Sanchez.

Amoeba San Francisco
10/9 – Damon and Naomi
10/10 – Stewart Copeland Book Signing

Amoeba Berkeley
10/7 – Home Grown Presents- The Super Cutes

For start times and additional information check out the Amoeba in-store calendar.

San Fransico’s, Brilliant Colors, Prep Debut Full-Length LP, “Introducing”

More all-fem rock bands for your listening and viewing  pleasure.  San Francisco based, Brilliant Colors are ready to release their new album “Introducing” off Slumberland Records this Nov. 3, 2009! If you like that 70′s punk sound in the likes of The Runaways and Suzi Quatro with a hint of today’s Mika Miko, you’ll love Brilliant Colors.

Singer/guitarist Jess Scott started Brilliant Colors in early 2007, and she’s been mighty busy since then. After a steady stream of line-up changes, Scott has finally settled on a permanent line-up with the addition of East Coast transplants Diane Anastasio and Michelle Hill (a veteran of a number of Bay Area underground punk outfits, as well as touring guitarist for legendary UK punk / dub group The Slits!), in the meantime sharing bills with fellow Bay Area acts Nodzzz, Grass Widow, and Ty Segall and opening for the likes of The Urinals and The Homosexuals.

Stay tuned for a full album review!

Tracklist:
1. I Searched
2. Absolutely Anything
3. English Cities
4. Yell In The Air
5. You Say You Want
6. Over There
7. Mythic
8. Short Sleeves At Night
9. Motherland
10.Should I Tell You

Treasure Island Music Festival Set Times!

Treasure Island Music Festival is only 10 days away!!! Get your dancing shoes on, this is going to be a weekend of smiles, jams and dance. The best part about is, no bands play at the same time! You don’t have to rush from stage-to-stage or miss any sets!

Check out the set times below and be sure to get your Treasure Island Music Festival Tickets here! See you there! ♥

SATURDAY, OCT. 17, 2009
MGMT
Bridge Stage: 9:25 – 10:40PM

Girl Talk
Tunnel Stage: 8:35 – 9:20PM

MSTRKRFT
Bridge Stage: 7:45 – 8:35PM

LTJ Bukem Feat. MC Conrad
Tunnel Stage: 6:55 – 7:40PM

Brazilian Girls
Bridge Stage: 6:05 – 6:55PM

DJ Krush
Tunnel Stage: 5:15 – 6:00PM

The Streets
Bridge Stage: 4:25 – 5:15PM

Dan Deacon
Tunnel Stage: 3:35 – 4:20PM

Passion Pit
Bridge Stage: 2:50 – 3:35PM

Federico Aubele
Tunnel Stage: 2:05 – 2:45PM

Murs
Bridge Stage: 1:20 – 2:05PM

Crown City Rockers
Tunnel Stage: 12:40 – 1:15PM

The Limousines
Bridge Stage: 12:00 – 12:40PM

SUNDAY, OCT. 18, 2009
The Flaming Lips
Bridge Stage: 9:05 – 10:35PM

Yo La Tengo
Tunnel Stage: 8:10 – 9:00PM

The Decemberists
Bridge Stage: 7:10 – 8:10PM

The Walkmen
Tunnel Stage: 6:20 – 7:05PM

Beirut
Bridge Stage: 5:30 – 6:20PM

Bob Mould
Tunnel Stage: 4:45 – 5:25PM

Grizzly Bear
Bridge Stage: 4:00 – 4:45PM

Vetiver
Tunnel Stage: 3:15 – 3:55PM

Edward Sharpe & the Magnetic Zeros
Bridge Stage: 2:30 – 3:15PM

Spiral Stairs
Tunnel Stage: 1:55 – 2:25PM

Thao with The Get Down Stay Down
Bridge Stage: 1:15 – 1:55PM

Tommy Guerrero
Tunnel Stage: 12:40 – 1:10PM

Sleepy Sun
Bridge Stage: 12:00 – 12:40PM

Austin City Limits (2009) Day 1 Photos and Review!

WORDS: Q. Manning

Day One of ACL was about as picturesque as you could imagine. The sun was out, the grass was lush and the party had started, because, when you get down to it, that’s all any music festival really is. Great food, music, a sea of cowboy hats and and scantily clad genders of your choice.

We arrived at the festival a little later than we’d planned, not accounting for the massive amounts of traffic in downtown Austin. We hopped on the shuttles and arrived at Zilker Park just in time to head over to the Austin Ventures stage to see The Parlor Mob tear up the stage. I’m a fan of 70′s style rock and these guys brought it. From the wailing vocals to the pounding, tribal drumming, these guys at times invoked the very essence of Led Zeppelin but infused with a modern rock sensibility. I walked away from the set a fan.

Next up we headed over to The Walkmen at the XBOX360 stage. Braving the Austin sun with collared shirts and slacks, the band opened up with a greeting of “Hello music lovers!” and proceeded to infuse the festival with some much needed folk-inspired indie rock. Frontman Paul Maroon may look like Captain America but his voice is a little bit Bob Dylan meets Black Francis with the phrasings of Jeff Tweedy. Their music was infectious, rousing the crowd, and all that was compounded when the guys brought a great horn section to come out and accompany them. Like with The Parlor Mob, the sound wasn’t anything new, but it was definitely something I enjoyed.

Phoenix was one of the bands everyone in the festival had been buzzing about and the crowd at the large AMD stage was massive, forcing me to hang back on the periphery and enjoy sitting on the soft grass. The French band brought their particular brand synth infused rock to the crowd and the attendees loved it. My exposure to the band had been limited to only their most from their last album, “Wolfgang Amadeus Phoenix,” and I’ll admit to being a tad disappointed by the set. Much of the energy and style I’d heard in their studio recordings was missing, though I could see I was in the minority.

After Phoenix, we hung out waiting for John Legend to perform and the sounds of Raphael Saadiq came wafting in from the XBOX360 stage across the park. Saadiq’s music was wonderful, classic R&B with a heavy bass line and amazing horn section, he moved the crowd gathered around his stage and most of the people waiting for Legend alongside me.

Legend started his set by moving along the walkway that bisects the crowds at the larger ACL Fest stages, telling the crowd to “Emancipate yourself!” and went into his set. Never having been a huge John Legend fan, this was my first real exposure to much of his catalog and I found the experience to be similar to what Legend wore on stage that day – safe and toothless. Even his cover of Michael Jackson’s “Remember the Time” was lacking in soul and emotion. When he started I wasn’t a fan and when it was all said and done, my opinion hadn’t been changed.

But then came one of the biggest surprises of the entire ACL Fest and a band that was much anticipated: supergroup Them Crooked Vultures. I knew Dave Grohl of Foo Fighters & Nirvana fame was in the group, but I wasn’t sure to what capacity. Was he singing? Playing guitar? He was playing drums and the power everyone first heard when Nirvana hit the scene was here in spades.

Even more interesting were the other members of this supergroup: Led Zeppelin’s John Paul Jones on bass & keyboard with Queen of the Stone Age’s Josh Homme. Helping out was QOTSA guitarist Alain Johannes on guitar.

If I had to compare the band to another band, I’d have to say Queens of the Stone Age, but more for their pure rocking rather than the vocals of Homme, who didn’t quite sound the way I expected, with his voice often taking on a David Byrne/Talking Heads quality. Most songs play with time signature and cadence, making most songs unpredictable. Everything seems to be driven by Grohl’s power drumming which had the crowd moving and gyrating. Coupled with Jones’ bass lines, the best description for this collection of musicians has to be “churning rock and roll.”

Them Crooked Vultures are relentless and tight. Unfortunately, they don’t have an album available, meaning the great songs I heard will have to stay part of my memory rather than in my iTunes. Hopefully the guys will either get into the studio and record or release whatever they’ve done. Right now, the world needs some solid, true rock & roll.

Alas, moving over to the Yeah Yeah Yeahs after Them Crooked Vultures was a let-down. Like many people, the songs “Maps” resonated with me as just a well-crafted song. But I’d never been able to connect with the Yeah Yeah Yeahs and a live performance didn’t change that. The vocals for lead singer Karen O needed to be cranked. This is odd considering the subdued music coming from the band. Each song I kept wanting the band to bring it, but it never happened. Karen O puts on a great stage show, however, with some truly fantastic stage presence. If you went in a fan, it was probably great to hear your favorite songs live, but for someone who was wanting to be impressed, the end result was lackluster.

And such ended the first day of ACL Fest. The sun was hot, but the situation was tolerable. Day Two, however, would be a much different story.

CHECK OUT ALL THE PHOTOS FROM DAY ONE OF AUSITN CITY LIMITS HERE!

The Postmarks at Spaceland

Fitting their 50′s style dream-pop infused with swirls of fuzzy psychedelia, I couldn’t think of a more suitable venue for The Postmarks to kick off their tour in celebration of their new album “Memoirs at the End of the World.”

Although front woman Tim Yehezkely may carry the name of a male, there’s absolutely nothing masculine about her. Taking the stage before her in a tiny white babydoll dress, black boots and a big Alice-in-Wonderland-like black bow in her hair, the petite songstress had infatuated every male in the room with her little girl like presence.

If you’re looking for a performance doused with high energy and any sign of emotion, you will not find that in Yehezkely’s live set. However her band can throw down some pretty mean instrumentals, full of life. Although a bit more harmonious on audio, Yehezkely is very monotone and detached on stage. At times it almost seemed like she was stoned or something. Not saying that it’s a bad thing, but if you’re familiar with The Postmarks, it’s almost like her trademark sound — and it absolutely works.

At times Yehezkely sang as though she were a four-year-old sharing with you a new song she had learned with her 50′s “doo wop doo wops” and shy persona. It was all very cute and totally worked in her favor. I bet lots of dudes in the audience felt like a total perv or pedophile though!

As for the band, they totally fuckin’ kicked ass. Guitarist, Christopher Moll thrashed out like he was on some crazy hallucinogens, while drummer Jonathan Wilkins banged out some pretty smooth, and mean beats on the drums. As they closed up with their encore, the two jammed out into some chaotic punk rock madness. It was righteous! Adding to the psychedelic fuzz bombs and warped out electro-fits, Jeff Wagner was superb on the keys. A bit under the shadow from the rest, Brian Hill handled some pretty smooth basslines, but like Yehezkely, is very mellow.

As for the cute and sexy, Yehezkely, I don’t think she really knows how to play the guitar. As I watched her fingers each time she picked up the guitar, I saw all but two chords played with the slowest of motions. Not to mention the poor girl had some major problems during the last minute of their encore getting her guitar to work, (or turn off). Thank goodness Moll and Wilkins diverted our attention with their insane thrash out. My ears were totally fuzzrocked well into the following day’s afternoon.

Would I check them out again? Yep.

Jay Reatard’s Band Quits On Him!

Yep! You read the headline correctly. Apparently Jay Reatard and his band must have had some sort of falling out! This is what he tweeted this morning:

“”Band quit! Fuck them! They are boring rich kids who can’t play for ahit anyways … Say hello to your ugly and boring wifes opps I mean lifes guys suck it.”

Well, that kind of sucks, I rather liked his burly bandmates. Good news for other thrashing musicians seeking work though. Now that Jay Reatard’s bassist Stephen Pope and drummer Billy Hayes have quit the band, Reatard is currently looking for new band members. Another good thing: No upcoming tour dates have been canceled.

I’m very interested to see who will replace the two and exactly why Pope and Billy quit the band. I’ve heard some stories from other musicians who have toured with Reatard and he can be quite the chaotic handful. But hey, it’s all fun and games isn’t it?

*UPDATE*
Wanna play in Jay Reatards band. Here’s his email. He gave it out in a tweet this evening. If you got the shredful goods, bring it.

“So who wants to see just how terrible it is to play in my band . I mean its so so hard I promise its the worst Jayreatard@gmail.com”

Brookville at Spaceland

In support of their September 29 release “Broken Lights,” Brookville joins Unfiltered Records labelmates, The Postmarks, on a five week tour US tour. Opening up for The Postmarks this past Friday, Oct. 2 at Spaceland, Brookville played a totally engaging and at times comical set.

When I first took a listen to Brookville’s new album “Broken Lights,” I wasn’t digging it at first listen. Although I try to keep an open ear to all walks of music, I tend to lean towards the edgy, eccentric and high energized musings of rock n’ roll. Needless to say, after seeing their amazing live set, I’m now a total fan.

Towards the second song of their set, front-man Andy Chase got the crowd laughing. Apparently a suspicious hair had jumped from the mic and into his mouth. “Somebody left a hair in the mic, and it some how warped it’s way into my mouth. And it’s not a pube,” shared Chase. Whether he was poking fun or not at the skinny-long haired rockers (Endless Hallway) who graced the stage with their interesting performance beforehand, it made us all laugh pretty fuckin’ hard.

Aside from being quite the hottie, Chase has this soulfully alluring voice that can easily make its way to any woman’s heart. Talented on both the guitar and keyboards, Chase would move from one instrument to the other like a true smooth-operator while producing the loveliest of vocals.

As I stood next to a variety of females, swaying their hips as they gazed towards chase as though he were a high school crush, I could hear one dude next to me say, “This shit is straight up love-making music.” Take note men, this is straight up love making music. Go to a Brookville show and you’ll definitely see the ladies.

Off their new album “Broken Lights,” I truly enjoyed the lullaby-like track “Dreaming On.” Opening up with a series of tings and tangs and soft xylophone melodies, “Dreaming On” is full of hypnotizing bass lines and dreamy guitar chords, but it surely didn’t put me to sleep.

Closing up with “Tell Her You Love Her,” also off their new album “Broken Lights,” this song is the jammy jam, and I say that in an R&B-kind-of way. Jumping back on the keyboards, Chase harmonized into the mic with a soulful tone. By far a song you can get your groove on to.

All in all, Brookville put on a very pleasing show.

Historics Cover Sub Society in Classic Homage to the Golden Age of Skateboarding

Historics have a brand new video out for their cover of Sub Society’s “A Lot Less.” The track is off their just-released debut album, “Strategies for Apprehension.“

The clip is a tribute to the original Matt Hensley part in “H-Street’s Hocus Pokus” video (1989) which features the original Sub Society version. It was directed by Patrick O’Dell and features the following skaters: John Rattray, Alex Olson, Braydon Szafranski, Andrew Allen, Heath Kirchart, Mike Rusczyk, Chris Pastras, Clint Peterson, Clark Hassler, Kevin Spanky Long, & Matt Hensley

Pretty sweet shit I suggest you check out!

Download a FREE mp3 of the track “Skin Orders” here, and peep the video for “Taverns” here.

Anna Ternheim at the Troubadour – Show Review

When I first got a hold of Swedish songstress, Anna Ternheim‘s new album “Leaving On A Mayday,” I though she had an exquisite, delicate voice that flowed so smoothly with the soothing aural landscapes of “Leaving On A Mayday.” Last Thursday, Oct. 1st she played a show at the Troubadour with Asobi Seksu and Swedish friends, Loney, Dear.

In a way, Ternheim reminds me of Dido, where her soft voice can ride on delicate orchestrations of sound or more energized dance induced beats. It was quite the treat to have Loney, Dear sit in on her set and lend us their awesome instrumentals. In the same turn, Ternheim is more than apt to carry on a stellar show on her own. With a voice like an angel, clear as crystal, I loved that you could still hear her accent through her singing. Many singers with accents tend to cover it up when singing English lyrics. I think its soft presence made her performance all the more alluring.

In celebration of her new album “Leaving On A Mayday,” Ternheim performed a variety of songs from this must-buy album. Some singers sound like vocal perfection on audio, what truly lies beneath is revealed when you see them performing live (assuming there’s no Brittany Spears-like lip-synching). Ternheim blew me away! She appeared to sound identical, if not better than her studio albums.

Although I enjoyed her entire performance, a couple songs that stood out for me were “What Have I Done,” “Summer Rain,” and oldie-but-a-goodie, “My Secret.” With a sexy little dance beat, “What Have I Done,” had the audience engaged in a hypnotic-groove. “Summer Rain” was quite the charming duet with its country undertones as Loney, Dear’s, Malin Ståhlberg, joined Ternheim in an uplifting duet that was all smiles for the two songstresses. To close up her set, a fan amongst the crowd had requested she play “My Secret,” Ternheim was impressed that he was familiar with the single that came out in 2005 and proceeded to make her exit with this heartfelt song.

Asobi Seksu at the Troubador – Show Review

Two man bands seem to be all the hype of the late, but only a few select performers can pull it off. In the case of Brooklyn duo, Asobi Seksu, they played a high-energy show last Thursday at the Troubador, alongside Anna Ternheim and Loney, Dear. I wouldn’t quite call them a duo though. And I don’t know why “others” have referred to them as such. They’re a full-on kick-ass band with a guitarist, drummer, bassist, and an adorable Japanese doll by the name of Yuki Chikudate, who womans the vocals and keyboards for the band. Let me tell you, standing barely 5ft. tall in heels, that lil girl maybe tiny in stature, but she has the vocals of a GIGANTOR. Although her sweet melodic voice can be oh-so-delicate, homegirl can also thrash out with the best of them: both on the keyboards and her vocals.

Lead guitarist, James Hanna, is a fierce guitar player. As hard is it is to take your eyes off the cute and sexy, Chikudate, Hanna’s energized stage presence pulls you in like a magnet. That dude can shred the guitar and has the raddest movement. Drummer Larry Gorman can keep a slow and steady roll or whip out the insanely chaotic drum lines, while bassist Billy Pavone, stands tall as he handles the bass with such smooth motives.

Very moving, very psychedelic, very energized …  very fuckin’ cool. Check out Asobi Seksu’s live performance, you won’t be disappointed.

PS – Did you know “Asobi Seksu” is colloquial Japanese for “casual sex”, or more literally “playful sex” ? All the more reason to enjoy this thrashing, yet soft band.

Loney, Dear at the Troubadour – Show Review

Holy shit! Did your mic stand just hit me!? Yep. As Anna Ternheim’s set finished last Thursday at the Troubadour with Loney, Dear sitting in as her band, their mic stand fell from the stage and landed on my arm as they were clearing the stage. Thank goodness it didn’t touch the camera! As sweet as they are, front man Emil Svanängen and Malin Ståhlberg totally apologized and made sure I was okay. No harm done. Was kinda funny though.

Although I didn’t stay for their entire set I did catch a healthy amount of songs and was totally impressed. Their music is just straight up lovely and skillfully orchestrated. Not only does Svanängen have a unique fluid voice, but he was quite the comedian in between songs sharing with us his Scientology experiences here in LA.  Poor guy’s now on their mailing list!

I was engaged by the entire band as a whole with the music that they produce. It was all just so beautiful and full of emotion, as though you could feel each individual instrument flow through your body. And the dude on the keyboards was awesome!

When Svanängen performed “Ignorant Boy,” I as well as the entire audience was in complete awe. For being such a simple song with hardly any lyrics it’s probably one of the most powerfully emotive. It radiates this bittersweet feeling that you can’t help but feel pleasantly affected by.

Next time Loney, Dear is in town I’ll be sure to check them again—only this time I’ll make sure I can stay for their entire set.

94/9 7th Anniversary Bash With JET, Cage The Elephant and Black Joe Lewis & The Honeybears

Although I now reside in the City of Angels, I alway got SD in my heart. Think I’ll head back down there for the 94/9 7th Anniversary Bash. Although good ole 94/9 has yet to pick me for their Coup d’Etat Weekend (hint, hint), they always throw kick-ass events and shows; like the 94/9 Indy Jam. The Black Keys ripped through three amps!

Anyhow, the 94/9 7th Anniversary Bash is Saturday, November 7th at 4th & B. It features JET, Cage The Elephant and Black Joe Lewis & The Honeybears. As we’ll be drinking plenty of beers and stoli/crans (me), it is a 21 and older party.

Get your tickets here!

Devendra Banhart Releases “Angelika” From Upcoming Release “What Will We Be”

I love how in his latest release, “Angelika,” off his upcoming album “What Will We Be,” Devendra Banhart let’s his Venezuelan roots shine. Not only does he pronounce the name “Angelika” with that sweet Latin tongue, but the song transcends from his token indie folk into a sexy Spanish flow of lyrics and howls.

Stream “Angelika”on Pitchfork here.

Now on big corpo record label, Warner Brothers Records, Banhart’s new album “What Will We Be” will debut October 27th.

Have you checked out “Baby,” the first single off his new album? Stream it here in all its entirety (none of that 30 seconds shit).  It’s pretty sweet, but I’m all about “Angelika.”

My Girl Wants to Pary All The Time

Does your lady wanna party all the time? Well, Eddie Murphy feels your pain. A friend sent me this video and I just couldn’t help but fuckin’ laugh my ass off. Shameful: I don’t know what’s worse Eddie’s dancing or Rick James’ golden weave! (thanks Tommy!)

Happy Friday All!

What’s Going on This Weekend LA?

A lot of good shows and events this weekend, but honestly, my head is here.

But I’m also UBER sad that I couldn’t make it to Austin City Limits, where I should be…That’s okay though, we have an awesome photog and writer covering the sold-out festival in Zilker Park! Stay tuned for shots, interviews and a bad-ass ACL review!

♥ = Top picks

Friday, Oct. 2, 2009

SHOWS

• The Postmarks, Brookville @ Spaceland ♥
• Loggins and Messina, The Cabe Dixon Band @ Greek Theatre
• Amadou & Mariam, Geggy Tah @ Henry Fonda Music Box
• Jazz at Lincoln Center Orchestra with Wynton Marsalis @ Royce Hall at UCLA
• A Labrat Matinee VII: The Dublab 10th Anniversary Edition w/ Daedelus @ Downtown Independent Theater 
• The Crabs (performing Weezer’s Pinkerton) @ Knitting Factory (Front Stage)
• The Horrors @ The Glass House ♥
• The Idyllists, Brian Wright, Carla Werner, George Stanford, The Simon Stokes Band @ The Hotel CaféThe 1921 A, Frank Fairfield’s record release, Sunny War @ McCabe’s Guitar Shop
• World Party, Parade of Lights @ El Rey Theatre
• Shelley Short, Alexis Gideon, Erin Muir, Queen Victoria @ Echo Curio
• The Foghorns, Rick Lawndale Band, LA Font, The Movie Goers, Stukas Over Bedrock @ Mr. T’s Bowl
• David Bazan @ Detroit Bar

DANCE! DANCE! DANCE!

• Underground (DJs Dia, Mark, & Larry serving up the finest indie, UKPop, Electropop, Rock and Soul) @ The Echo

Saturday, Oct. 3, 2009

SHOWS

• Ladyhawke, Ida Maria @ Avalon
• Crosby, Stills and Nash @ Greek Theatre ♥
• Elvis Perkins in Dearland, Tom Brosseau & Correatown @ Troubadour
• Ladyhawke, Natalie Portman’s Shaved Head, Semi Precious Weapons, Julian Perretta @ Avalon ♥
• Eagle Rock Music Festival 2009 w/ No Age, The Happy Hollows, Peanut Butter Wolf, Nico Stai, and more! (FREE!) ♥
• Holly Conlan’s record release, Pedestrian, The Brendan Hines, Steve Reynolds, The Echo Falls, Geographer @ The Hotel Café
• Jolie Holland @ Largo
• The Pharcyde @ The Key Club ♥
• Ming & Ping, Wooden Ponies @ Bootleg Theater
• You Me & Iowa, Radars To The Sky, The Veltexans @ Spaceland
• Waterlaso, Dreamers, The Lower Echelon, Vertigo Venus, Warren Teagarden @ Mr. T’s Bowl
• New Model Army, Modwheelmood, Mellowdrone @ Knitting Factory (Main Stage) ♥
• 2nd Annual Longhair Illuminati Art & Music Festival w/ The Bronx, Abe Vigoda,and more @ The Glass House ♥
• Manimal Festival 2009 w/ Edward Sharpe And The Magnetic Zeros, Fool’s Gold, We Are The World, @ ♥

FILM

• 5th Annual Johnny Ramone Tribute @ Hollywood Forever Cemetery ♥

SKATE

• Venice Beach Skate Park Opening @ Windward Avenue and Ocean Front Walk (near graff walls) ♥
• FLIP’s “Extremely Sorry” Video Premier @ The Grove Theater in Upland

DANCE! DANCE! DANCE!

• Bang! (La Roux La Roux release party) @ The Ruby

Sunday, Oct. 4, 2009

SHOWS

• Kylie Minogue @ Hollywood Bowl
• Ladyhawke @ Space 15 Twenty (FREE! Early Show; 1 PM)
• David Bazan (with band), Say Hi @ Troubadour
• Gil Scott Heron, Orgone, DJ Jeremy Sole @ El Rey Theatre
• Jack Peñate, Miike Snow @ The Echo
• Tina Dico, Shane Alexander, Sara Haze, George Sarah & The String Trio @ The Roxy
• Kidrockers w/ The Damselles, Quazar and the Bamboozled @ The Echo (Early Show; 1 PM)
• Billie Myers, Marina V, Rachel Sierra, Karen Williams @ The Hotel Café
• Sad Horse, Bugs, Devon Williams, Allah Las @ Echo Curio
• Gurf Morlix, Tony Gilkyson @ McCabe’s Guitar Shop
• Ingrid Michaelson @ Fingerprints ♥
• Dusty Rhodes and the River Band @ Alex’s Bar

Interview: Stefano Boscutti

A couple days ago we highlighted a compelling Web site by the name of Boscutti.com. It delivers daily newsreels with a great selection of music as their soundtracks. The images are both good and bad and cover some pretty heavy world news.

“Using the music to lift the emotions is the point.  I was watching a lot of news online without feeling a thing.  I wanted to feel again.”
~ Stefano Boscutti

Where you based out of?
Melbourne (that’d be the one in Australia).

What do you want to come out of these newsreels?
That’s an incredibly good question. World peace, individual respect, human dignity. Hopefully how everyone can make a difference. How we’re all connected. How we’re all one. That child in Africa is not some distant problem. That child in Africa is you. (Sorry to sound heavy or trippy or hippy. But I try to make a point of ending each newsreel with hope. Got to shine that light.)

How long you been doing this?
I’m a former journalist. I’ve been writing and making films for a while. But I only started making the newsreels from the start of this year. The whole newsreel archive to date is online at http://boscutti.com/boscutti-newsreel/index.html

How much time goes into each reel (you have a new one everyday!)?
Two hours a day, every day. Up at the crack of dawn, cup of cold coffee, 15 minutes of meditation, and we’re on.

Anyone helping you?
I get a lot of feedback. Which helps a lot. But I don’t have any assistants. Wait, maybe they’re hiding under the desk? Nahh, not even one. Just littl’ ol’ me.

Where do you get all the photos? Fair use?
Yes, fair use. They’re the same photos that land on the news desk of all the mainstream media. They just never use them because they favor sports shots or the latest pretty celebrity. They favor the inoffensive because really they’re just providing the context for advertising. They’re no longer really about providing news. Everything we see is so stage managed. I’m all for showing what we can’t see. Particularly when it comes to human rights. Nation states or corporations fucking over individuals really doesn’t work for me. I’m all for the one person that makes the difference.

How do you choose your music? You have a good ear.
Keep an ear out for new releases. Tend to favor slower, more evocative songs because they move me. If I lay them on the photos and I get a tingle up my spine, they’re in. Nope, not the most scientific selection process on earth. But hopefully the most authentic. Figure the more it moves me, the more it might move others.

Who are some of your favorite musicians?
Waxes and wanes. Currently it’s tunesters like Monsters of Folk, James Buckley Trio, Yo La Tengo, Joe Henry, A.A. Bondy, Vampire Hands, Portugal The Man, Edward Sharpe and the Magnetic Zeros, Eyedea and Abilities, Soulsavers, Fink,The Fiery Furnaces, The Rural Alberta Advantage, Memory Tapes, White Rabbits. Hmmm, and that’s just for starters. Throw in some strings and I’m in. I’m a sucker for strings. Also a little syncopation never goes astray.

Check out Boscutti.com now! Bookmark and make it a daily occurrence for your fix on real news, and real music.

Fool’s Gold Self-Titled Debut Album Review

In 2005 I spent a couple months in the luscious country of Brazil. Touring one exotic beach to the next I instantly fell in love with the celebratory, free-spirited ways of this beautiful country. Not to mention all the people there are quite the tantalizing eye candy.

Los Angeles’ ensemble, Fool’s Gold, reminds me of the beauty and fun of Brazil. With their tropical melodies heavily influenced by African music and other intriguing worldly rhythms, Fool’s Gold self-titled debut album takes me back to that alluring feeling of hedonistic bliss. It’s music your body just can’t help but get up and dance to. And while you’re doing so, don’t be surprised if you gravitate to a member of the opposite sex. There’s something sensual about Fool’s Gold’s music that makes you want to spread that luvin.’

Comprised of vocalist/bassist Luke Top, who was born in Israel and was moved to Los Angeles at the age of three, and lead guitarist Lewis Pesacov (Foreign Born), who was raised on reggae and world music and holds a degree in classical music theory and composition, Fool’s Gold initially began as a side project for the two to explore their shared love of various forms of African music (specifically Congolese, Ethiopian, Eritrean and Malian), Krautrock, and 80s dance influenced pop music. Not too long after their communal beginnings of writing a few inspired songs and asking friends, friends of friends and even strangers to join them on stage, Fool’s Gold developed organically into a full-time band which now features more members of Foreign Born, We Are Scientists, and The Fall, plus Argentinean pop star Erica Garcia, Brazilian/Mexican visual artist Salvador Placencia, and more.

Besides being addicted to their self-titled debut album, I recently saw Fool’s Gold in action at LA’s Sunset Junction this past August. With some 10 or 12 people on stage taking part in delivering delectable music to our ears — their positive energy was more than inviting as it infected the crowd before them.

PROS: Their vibrant dance anthem “Surprise Hotel” is almost seven minutes long in a live performance. Exuding sheer delight, it will have you wishing you were on the white sands of an exotic beach dancing the night away. Check out their official video for “Surprise Hotel,” it’s pretty wet n’ wild.

CONS: I heard some worldly jammin’ on “Ha Dvash” please give us some more shreddful solos.

Fool’s Gold self-titled debut album dropped yesterday off of IAMSOUND. Get it here!

Check out their Tour Dates here!

Jump Clubb (Anonymous Band From Beverly Hills) FREE Mixtape Featuring Passion Pit, Peter Bjorn & John, Wolfmother and More!

There’s a lot of suspense building to the mysterious band Jump Clubb (Anonymous Band From Beverly Hills). Although their not revealing their personalities just yet, they’re putting out some sultry-electro hotness fit to make you fall in love with their debut album “The Love of Dance.” The goods drop Oct. 6, but until then Jump Clubb is offering a FREE “The Love of Dance” mixtape featuring new tracks from their debut LP “The Love Of No Dance” also featuring Major Lazer, Passion Pit, Peter Bjorn & John, Wolfmother, Eric’s Trip and more!

It’s hot, it’s FREE and you should download it Now! Click here for you FREE “The Love of Dance” mixtape download.

Track Listing:

1. Intro
2. Flo Rida – Jump ft. Nelly Furtado (Designer Drugs remix)
3. Beat Happening – Indian Summer
4. Friendly Fires – Jump In The Pool (Thin White Duke remix)
5. Jump Clubb – I’d Rather Be Played
6. Peter Bjorn and John – It Don’t Move Me (Miike Snow remix)
7. Jump Clubb – The Love of No Dance
8. Passion Pit – Sleepyhead (Wake Up! Remix)
9. Jump Clubb – Green Light
10. Major Lazer – Hold The Line (The Unik & Tambour Battant Remix)
11. Jump Clubb – Lets Crash This Party
12. Eric’s Trip – Sunlight
13. Wolfmother – New Moon Rising (Yacht Remix)
14. Jump Clubb – A Frozen Hug

“Do You Want Power” by The Ettes – Album Review

Continuing to draw intensity and suspense with their notable drum and guitar solos, The Ettes’ new album “Do You Want Power” stays true to their infectious ferocious sound, but have found a perfect balance of all things soft and those that tend to be a little rougher. Just like when it comes to performance under the sheets, they’re delivering the best of both worlds: gentle and rough.

“Do You Want Power” has a perfect combination of both the gentle melodic songs and the electrifying rock-your-face off anthems we’ve grown to assimilate with The Ettes. Blending in various elements of country, blues, punk and all things rock, The Ettes fail to disappoint us once again. Doused with songs relevant to love, the lyrics can be spiteful and lined with feelings of anger and hurt towards the wrong doing of another (perhaps a cheating heart).

Front-woman Coco’s upbeat vivacious lyrics pull a 360 in “While Your Girl’s Away.” Her sweet vocals become a somber, blues driven portrayal of infidelity.

As heard on their kick-ass EP “Danger Is,” Dan Auerbach records and remixes the fuzz-driven track “No Home.” It’s a bad ass tune full of explosive rock n’ roll.

Smoldering with an intro full of bassist’s, Jem’s contagious fuzz and a blazing harmonica howl, “Walk Out That Door” will incite a series of convulsions  through out your body. You can’t help but move and rock out when you listen to this awesome track. Lyrics straight up hold some truth!

Taking it back to some 80’s hair-metal shredding, the guitaring in “I Can Be Your Lover (But I Can’t Be Your Baby)” is pretty damn rad. The dark moments of Poni’s drum rolls leading up to the guitar solo are quite enticing giving Coco’s melancholy lyrics an apologetic touch.

With a sweet country twang, “Love Lies Bleeding,” is a an honest sincere song that would make Patsy Cline proud.

Opening up as though it were a passed on tale of folklore, “Seasons” rolls with an eerie incantation of change, yet it carries a lovely eloquence.

“Modern Game” rolls in with delicate electro beats followed by Coco’s soft vocals calling out the one that did her wrong. The emotional intensity is heightened with suspenceful drum rolls and power chords leading into  a harsh repetitive hook. Damn cheaters …

Featured in both “Entourage” and Drew Barrymore’s new film “Whip It,” The Ettes bring forth yet another riveting album full of songs you’ll never get bored of. I’ve been listening to “Do You Want Power” on the daily for a month straight: it rocks.

Tour dates w/Juliette and The Licks here.

Buy The Ettes’ “Do You Want Power” here.

Pros: Every fuckin’ song!

Cons: Only 13 tracks!

2009 Eagle Rock Music Festival – FREE

It’s going to be a fun-filled weekend in LA with all sorts of events going off. Saturday being the focal point of fun! Aside from the highly anticipated Venice Beach Skate Park opening, and the 5th Annual Johnny Ramone Tribute, the Eagle Rock Music Festival will also be going off this Saturday, Oct. 3. Each year this unique festival gets bigger and bigger. In 2007 they had 15,000 attendees while in 2008 they doubled that number to 30,000!

Hipster or not, if you like an eclectic mix of music that doesn’t drown itself out in the poisonous mainstream, I highly suggest you check the Eagle Rock Music Festival out!

BANDS: No Age, Free Moral Agents, Fol Chen, Peanut Butter Wolf, The Gaslamp Killer, Leslie and The Badgers, Free The Robots, The Happy Hollows, Pocahaunted, and so many more! Click here for the full schedule!

WHEN: October 3, 2009 – 5p.m. to Midnight

WHERE: Los Angeles, California – On Six Blocks of Colorado Blvd. in Eagle Rock

WHAT: A NIGHT OF FREE MUSIC THAT SPANS GENRES
3 Main Stages: Global/World, Indie/Emerging, Kids’ stage
14 Venues 70 Acts

The Eagle Rock Music Festival is a nationally-noted non-profit community street festival showcasing a diversity of innovative, multicultural and local music annually each October since 1998. The festival hosts Los Angeles-based acts at various locations along its “main street”, Colorado Boulevard, in the progressive and multigenerational Eagle Rock neighborhood. It is designed to celebrate Eagle Rock, and support local business, community, and culture . . . The festival remains free and accessible to the community, regardless of income, thanks to generous sponsors who are recognized at the festival and in the lead-up to the event.

2009 Vans Downtown Showdown Photos

The Vans Downtown Showdown went off this past Saturday at Paramount Studios, Hollywood. The courses were sick! Not to mention I felt like I was back in Brooklyn. 

A total of $85,000 was given away to the top rippers and some sweet guitars as the awards. Get the full results at skatedaily.net.

1st – Foundation ($30,ooo)
2nd – Blind
3rd – Toy Machine (5 years in a row in the top three)

Girl’s Little China Bank
1st -  Zared Bassett (Zoo York)

Flip’s Extremely Sorry
1st – Jani Laitiala (Blind)

Creature’s Hesh Cross
1st – Vince Del Valle (Black Label)

Black Label’s Drunk Tank
1st -Nick Merlino (Foundation)

Top Am: Nick Merlino (Foundation)

Top Pro: Jani Laitala (Blind)

CHECK OUT THE PHOTOS HERE!

Boscutti’s Newsreels – World News With Killer Musical Scores

I personally don’t like to watch the news. Not only does it depress me, but it’s sometimes a bit of a lie: hiding ugly truths and pulling the wool over our eyes to make us forget about issues of far more importance. Fuckin’ politics and media gate keepers … uggg

Check this shit out: Boscutti.com – transforming world news every day with newsreels and new music. Not only are they images of truth and actual issues that matter, but the music selections are hip and fuel so much emotion into these compelling images whether good or bad. My favorite is Sept. 16 featuring Mason Jennings’ “Blood of Man.”

Everyday a fresh newsreel goes up! Get your daily dose of truth while you listen to some cool tunes. Stay tuned for an interview with the creative mind behind these newsreels, Stefano Boscutti.

Venice Beach Skate Park Opening This Saturday Oct. 3!

It’s been a long summer awaiting the opening of the new Venice Beach Skate Park. Nikki’s and the Townhouse are about to get a bit busier!

Press Release:

ROSENDAHL TO CELEBRATE GRAND OPENING OF VENICE BEACH SKATE PARK
Public Invited

Who: Los Angeles City Councilmember Bill Rosendahl
Los Angeles County Supervisor Zev Yaroslavsky
Jon Mukri, general manager of the Department of Recreation and Parks
Gary Lee Moore, City Engineer
Geri Lewis, executive director of the Venice Surf and Skateboard Assoc.
Jesse Martinez, professional skater
Jay Adams, professional skater
Tony Alva, professional skater

When: 11:00 a.m. Saturday, October 3, 2009

Where: On beach near the Public Art Walls (“Graffiti Walls”) and existing
skate dance area near Windward Avenue and Ocean Front Walk
Venice Beach, CA 90291

What: Councilmember Bill Rosendahl will join professional and amateur skaters from around the country to celebrate the grand opening of the long awaited Venice Beach Skate Park.

The Venice area is widely credited as the birthplace of modern skateboarding and skaters have long frequented the Ocean Front Walk area. When the City of Los Angeles renovated Venice Beach in 1999-2001, skaters demanded the City honor that legacy and build an official skate park. City officials responded, and this weekend a new 16,000 square foot skate facility now joins the many other distinctive attractions that are part of Venice’s landscape.

Design input from local skaters and skating professionals helped make the Venice Beach Skate Park one of the most challenging arenas for skaters to ride. The facility rivals other skate parks around the world but stands out as one of the only skate parks located on a beach.

The $2.4 million project was paid from a variety of City funding sources secured by Rosendahl and his predecessors: Quimby Funds, Damson Oil Facility Restoration Funds, Venice Area Surplus Real Property Trust Funds and Capital Improvement Expenditure Programs.

Johnny Ramone Tribute at Hollywood Forever Cemetery

The Hollywood Forever Cemetery is quickly becoming one of the hottest venues, in addition to being a sacred burial ground. Last Saturday, Bon Iver played an epic show in the cold mist as the sun was making its appearance back into the northern hemisphere. This weekend, on Saturday Oct. 3, Hollywood Forever will host the 5th annual Johnny Ramone Tribute. Featuring founding member Tommy Ramone and Ramones bassist CJ Ramone! There will also be a special homage and art show, “The Original Paintings of Dee Dee Ramone” and the world premiere outdoor-screening of “Ramones It’s Alive.” Oh! And did I mention a 3D screening of the original 1968 version of the mother of all zombie films, George Romero’s “Night of the Living Dead!!!”

This is going to be an awesome night to be a part of. Peep the flyer for more details!

Mos Def and Damon Dash Bring Out Death!

Mos Def continues to make moves with yet another interesting side project with Damon Dash. Besides collaborating on the highly anticipated Blakroc project with Damon Dash, The Black Keys and a notable list of rappers (Jim Jones, Q-Tip, Raekwon, RZA, etc.), Mos will now embark on a documentary about Death. And no, I’m not talking about the kind of “death” we all hate so much. But I am talking about the obscure, all Black, proto-punk band that formed in 1971. You’re gonna fuckin’ love their shit!

Mos Def told Filter:

“It’s going to be great. These dudes were pre-Sex Pistols, pre-Bad Brains, pre-all that shit, and nobody knows them. I don’t understand how the whole world could forget them.”

I can’t believe I never heard of these guys until now! After listening to their ripping tunes, Death puts out some great shit any rock n’ roll connoisseur can appreciate.

Take a listen and get more information on Death’s myspace here.

FREE Jason Mraz Show at Cricket Wireless!

For all you lovers of the sweet, soulful singer-songwriter, Jason Mraz, he’s playing a FREE show on Sunday, Oct. 11 at the Cricket Wireless Amphitheatre (San Diego). It all starts at 6 p.m. with special guests Brett Dennen and Bushwalla.

Deets:
All tickets are FREE or $1!
No service charges!
Carpools of 3 or more park for free!
Reserve your free or paid ticket, online only!

GET YOUR TICKETS HERE!

Harcore Rappers Onyx Hatin’ on Blakroc (The Black Keys and Damon Dash’s New Project)

If you aint’ gettin’ hated on you ain’t doing a enough good job. I guess The Black Keys and Damon Dash, along with everyone collaborating on the Blakroc project must be doing a pretty damn good job! The hatorade is already going down fast. Yesterday, Patrick Carney, the amazing drummer of The Black Keys tweeted “Onyx is beefing with blakroc hahaha!” I thought to myself, “Good job Keys!”

(Via Rollogrady and The Boom Box)

The original mad rappers, Onyx, are back, and they’re not happy about Damon Dash’s ‘Blak Roc’ collaboration album with The Black Keys. In a recent interview on Angela Yee and Leah Rose’s Lip Service radio show on Shade 45, the baldhead rappers discussed yelled about Dash’s project, which features notable MC’s like Ludacris, Jim Jones, Mos Def, Pharoahe Monch and more.

“N—-s is biting the whole f—in’ movement,” explained a ticked off Fredro Starr. “The ‘Black Rock’ s—, we been rocking with that. Now I’m hearing other n—-s coming out with it…I ain’t sayin’ no f—in’ names. You know what it is man, holla at me n—-, 100 mad n—-s with guns n—-, stop playing games with me!”

I’m sorry but that is just fuckin’ ridiculous. I haven’t heard any good shit come out form Onyx since ‘98’s “Shut ‘Em Down.” Times change, people become even more creative and push the borders — making music that delivers such leading innovations should be appreciated: not hated.

What’s Going On This Weekend LA?

Fall may be upon us, but the sun never stops shining in So Cal. It’s a great weekend for some outdoor action. One of skateboarding’s funnest contests is this weekend, the Vans Downtown Showdown. But before that, check out the wild ridonkulous action at the Red Bull Soapbox Races! As always, a shit load of good music in the City of Angels.

♥ = Top picks

Friday, Sept. 25, 2009

SHOWS

• Bon Iver, Megafaun @ The Wiltern ♥
• Autolux, Mini Mansions @ El Rey Theatre
• Rodrigo Y Gabriela, Rocco Deluca @ Orpheum Theatre ♥
• Rain Machine @ The Echo ♥
• Telefon Tel Aviv, The Race @ Spaceland
• Soundlessons feat. J-Rocc @ El Cid
• Portugal. The Man, Drug Rug @ Troubadour ♥
• DJ Quik @ House of Blues Sunset
• Manic Street Preachers @ Avalon
• Dead Man’s Bones @ Bob Baker’s Marionette Theater
• “Ooh La L.A. Festival” w/ Brodinski, The Shoes, Jamaica aka Poney Poney @ Henry Fonda Music Box
• Om, Lichens, Tweak Bird @ Echoplex
• It’s Always Sunny In Philadelphia @ Palladium
• Lemon Sun, Red Arrow Messenger, Gavin Castleton, Gardening Not Architecture, One Trick Pony, Kelli Ruddick @ The Hotel Café ♥
• PROTECTME, Shark Toys, Woah Hunx, Pearl Harbour @ The Smell
• The Faraway Places, Ramble Scramble, The Health Club @ Mr. T’s Bowl
• Mike Watt & His Missingmen, The Pork Dukes, Disguster @ Redwood Bar & Grill
• Iris DeMent @ McCabe’s Guitar Shop

Saturday, Sept. 26, 2009

SHOWS

• Tarfest 2009 w/ The Deadly Syndrome, Eskimo Hunter, The Polyamorous Affair @ El Rey Theatre
• Cotton Jones, Oliver Future, Quiet Life @ Spaceland
• The Hills Are Alive With The “Sing-A-Long Sound Of Music” @ Hollywood Bowl
• Cash’d Out @ The Mint (Johnny Cash Tribute) ♥
• Billy Talent @ Henry Fonda Music Box ♥
• Chris Dallman EP release, Jim Hanft, Wires in the Walls, Sara Azriel, Jared Goode and the Goods @ The Hotel Café
• Common, The Roots, De La Soul, Ludacris and friends @ The Palladium
• The Karabal Nightlife, Shirley Rolls, The Hard To Get @ Echo Curio
• Cobalt Cranes record release @ L’KEG Gallery
• Drool Brothers record release, Pom Pom, Heavy Water Experiments, Monogroove, The Thingz @ Mr. T’s Bowl
• Miss Kittin & The Hacker, Alter Ego @ Avalon ♥
• Nocturnal Festival 2009 w/ The Glitch Mob, Paul Oakenfold, Christopher Lawrence, Treasure Fingers, Switch, Drop The Lime and many more @ NOS Events Center
• Kid Koala @ Detroit Bar
• Billy Squire @ The Wiltern

SKATE

• Vans Downtown Showdown @ Paramount Studios ♥

WEIRD

• Red Bull Soapbox Race in Downtown, LA

ART

• Tom’s Collaborative Canvas Collection: Brandon Boyd & Kristin Jai Klosterman @ Undefeated Silverlake

DANCE! DANCE! DANCE!

• Bang! @ The Ruby

Sunday, Sept. 27, 2009

SHOWS

• Bon Iver (sunsrise) @ Hollywood Forever Cemetery (Doors 12 am, Bon Iver at 6 am) ♥
• The Dodos, The Ruby Suns, Sian Alice Group @ El Rey Theatre ♥
• !!!, CHK CHK CHK, Indian Jewelry @ Troubadour
• Chickenfoot (Sammy Hagar, Michael Anthony, Joe Satriani, Chad Smith) @ Gibson Amphitheatre
• Abbot Kinney Music Festival w/ Edward Sharpe and The Magnetic Zeros, Eskimo Hunter, The Parson Red Heads, Chief, Dios, The Damselles @ Abott Kinney and Venice Blvd. ♥
• “Grand Ole Echo” w/ Tony Gilkyson, Dave Gleason @ The Echo
• 2nd Annual Longhair Illuminati Arts & Music Festival w/ Tweak Bird, Warpaint, VOICEsVOICEs, Jel & Odd Nosdam, Living Suns, Blank Blue, 60 Watt Kid, DJ Nobody, Slang Chickens, Spirit Vine, Casket Salesmen, Green & Wood and more @ Knitting Factory
• Kid Koala @ Key Club
• Saint Motel @ Spaceland
• Chickenfoot, Queensrÿche @ Gibson Amphitheatre

DANCE! DANCE! DANCE!

• Underground (indie, UKPop, Electropop, Rock and Soul) @ The Echo

“Summer of Fear” by Miles Benjamin Anthony Robinson

Brooklyn’s emotive indie crooner, Miles Benjamin Anthony Robinson (MBAR) made quite the impression last summer with his self-titled debut album. With members of Grizzly Bear and TV On The Radio’s, Kyp Malone assisting in the creation, they’ve once again come through to lend their skills to his second studio album, “Summer of Fear.” Moving from Say Hey Records to Saddle Creek, “Summer of Fear”brings in both a bigger sound and label.

From the moment I heard MBAR’s self-titled debut album, I fell in love with it. It was something so different, fueled with bruised emotion and lyrics that painted a story just like the amazing Bob Dylan did. Now with “Summer of Fear,” I find myself once again enthralled by his heartfelt singer/song writing skills and pleasurable orchestrations of sound. Although his vocals are quite hard to make out at times, between his unique cantor and stylized crooning you’ll find yourself shouting out your own lyrics to his powerful anthems.

Fueled by a soundtrack culminated of years spent in eight-track studios, cypher-fueled jam sessions, and dicey club dates that often ended in fist fights and broken glass, MBAR has delivered a most personal album. With tales of love and loss, betrayal, regret, and the ugly picture bitterness can paint of us, “Summer of Fear” is the product of all the negative shit life can throw at us. Amidst the chronic frustration and rage behind the lyrics, the production of instrumentals embodies everything from striking horns, enchanting brass to melodic guitars—such a magnificent display of sound, pure enough to balance out the dark lyrics. I can only hope when MBAR tours in support of “Summer of Fear,” he takes the stage with a large band so we can all see those beautiful sounds come to life.

Pros: “Always an Anchor” commences with gentle guitar strumming and storytelling words that roll into a sudden break of emotion, suspenseful drums and the childlike sounds of a playful xylophone. I love how the energy and feeling of this song rises as it gets closer to its calm ending―a series of ascending “boings,” the kind you would hear when cartoon characters jump on an old mattress. It put a smile on my face.

For having some of the most painful lyrics, “Summer of Fear Pt. 2” is one of the most beautiful songs on the album. The orchestration goes from light to dark cascading on a variety of instruments set to put your mind in aural bliss. Absolutely fuckin’ amazing.

Cons: Are you chewing on tobacco, because I can barely make out your lyrics!

“Yo Gabba Gabba! Music Is Awesome!” Cool Music, For Cool Kids.

Want cool music for your kiddies? And no I’m not talking about Karen O’s “All is Love” for “Where The Wild Things Are.” Although I absolutely adore that song.

When I first got the press release and album advance for “Yo Gabba Gabba! Music Is Awesome!” I automatically thought it had something to do with The Ramones. To my surprise, “Yo Gabba Gabba!” is an award-winning, two time Emmy-nominated show on Nickelodeon. The series currently ranks as one of the most popular series on television with broad appeal among preschoolers, parents, teens and adults. Um, yeah, not quite the GrimyGoods material, I thought. But after I read on to see that “Yo Gabba Gabba!” features some of the hottest names in movies, television, music and sports, such as: Jack Black, Tony Hawk, Biz Markie, MGMT, The Roots, The Shins, Elijah Wood, and many more ― I took “Yo Gabba Gabba! Music is Awesome” for a spin.

The intro on the first track “Yo Gabba Gabba! Theme” tripped me out a bit as did the second track “Party In my Tummy.” They both have some psychedelic swirls of fun and sweet candy-coated electro beats. Moving on to “It’s Ok, Try Again” by The Shins, it’s a cute song with a deep repetitive hook that holds truth to us all whether you’re four or 29. Money Mark’s “Robob Dancing” had me swaying to his groovy beats while Biz Markie had me trying to lay down the perfect beat-box. The dreamy vocals and sweet melodies through out I’m From Barcelona’s “Just Because It’s Different Doesn’t Mean Scary” was pretty damn awesome. It’s going in my iPod.

It doesn’t end there though, you have The Roots, Of Montreal, The Little Ones, Weird Science, Yo Dazzlers and Mark Kozelek all on this AWESOME album. Screw that Barney crap, get your kids “Yo Gabba Gabba! Music is Awesome.” Finally, some bearable tunes that even you won’t mind listening to.

To Be Released October 20th Via FILTER US Recordings. Pre-order the goods here.

Fool’s Gold Release Official “Surprise Hotel Video”

LA’s Fool’s Gold has come out with their official video to their amazingly awesome song, “Surprise Hotel.” It’s wet n’ wild and looks like heaps of fun! Especially for the old cheesy farts frolicking in the video with bikini clad babes.

Their vibrant dance anthem “Surprise Hotel” is almost five minutes of sheer delight and will have you wishing you were on the white sands of an exotic beach dancing the night away.

Their self-titled debut album drops Sept. 29 off of IAMSOUND. If you ever get the chance to see Fool’s Gold live, I highly suggest you jump on it. They put on an awesome live show full of movement and a plethora of instruments. Not to mention, they’re all pretty damn good looking!

Hot vs Not: Lil Wayne Goes Cannibal Corpse

HOT: We were checkin’ a Jay Reatard show at Alex’s Bar in Long Beach when we ran into Lil Wayne and his long lost twin brother. Who says metal and rap can’t mix! We love that shit!

Click here for more GrimyGoods fucked up Hot vs Not photos!

2009 Vans Downtown Showdown!

It’s that time of year again, for one of the funnest and most creative skateboarding contests around! The Vans Downtown Showdown is gearing up for another D.I.Y night of shreddful destruction at the world-famous Paramount Studios in Hollywood, CA.

Featuring: Girl, Toy Machine, Creature, Black Label, Sk8mafia, Blind, Flip, Zoo York, and Foundation, witness all the action go down on a live Webcast in HD on FUEL.TV this Saturday from 4:30-9:30 p.m (pst). There’s $85,000 up for grabs, who do you think is going to take it?

Transworld SKATEboarding’s Eric Stricker R.I.P.

Wow, this is truly sad news. I’m a bit in shock. May Eric Stricker rest in peace. That guy was truly awesome and always a fun, and more than nice person to be around. My thoughts go out to his lovely wife, family, friends and the TWS family.

From TransworldSKATEboarding.com

“Today we bring you the unfortunate news that editor Eric Stricker, a cherished member of the TransWorld SKATEboarding family, has passed away. He was a fine editor and an even finer friend, whose memory will continue to live in the pages of TWS for years to come.

Our thoughts, prayers, and hearts go out to the Stricker family.”

The Sway Machinery at The Sanctuary at Temple Emanu-El, San Francisco

Jewish, cantorial and inde rock? What the fuck … that just doesn’t sound right. Well apparently is sounded amazing this past Saturday, Sept. 19 when The Sway Machinery performed at The Sanctuary at Temple Emanu-El in San Francisco. Featuring Members of Balkan Beat Box, Arcade Fire and Beirut, it was a powerful night of music.

With the show titled, “Hidden Melodies Revealed — A Secret Celebration of Rosh Hashanah,” The Sway Machinery proved to be a unique band that can handle their big band instruments. Part ritual, park rock show: check out the photos below.

~ Photos by Kara E. Murphy

The Dodos at Amoeba Music San Francisco

Looks like The Dodos made time on their busy tour schedule to hit up Amoeba Music in San Francisco. No surprise there, considering they hail from this historic city quickly rising as a spawning ground for indie rock.

In support of their new album “Time To Die,” The Dodos played a killer show this past Friday, Sept. 18. Check out the photos below!

And if you haven’t checked out any of the Amoeba in-store shows, you need to get on it! Always FREE, always all ages and always good music.

Bobby Birdman Preps New Album, “New Moods”

Now this is some shit I can get down to. But wait, who the fuck is  Bobby Birdman? I’m not familiar with this guy and I hoped he cleared his moniker with Tony Hawk or that one rapper dude, but damn he’s got quite the alluring vocals. Drawn like hot buttah over a phat lobster tail of beats, rhythm and soul, check  out his new track “Only For a While” here. It’s pretty damn yummy.

On “New Moods,” his most focused and complete musical effort to date, upbeat pop anthems jostle up against shimmering slow a cappella numbers, while New Orleans bounce, dancehall, and hyphy funnel noisily into each self-produced pop number. Sun-drenched guitars and Bobby Birdman’s characteristic, unfuckwithable new-school croon wash over drumline weirdness and tyrannical sub bass, like a rogue wave on the Malibu beaches he frequently surfs.

“New Moods” drops Nov. 10 off of Fryk Beat.

Track Listing:

01 Only For A While
02 Dust Design
03 What You Say
04 Weighty Wait
05 Victory At Sea
06 Bloody Mess
07 Silent But Violent
08 You’d Be Surprised
09 Setting Sun
10 Truth Be Told
11 Well Sprung
12 Back and Forth

Hot vs Not: Andy Warhol’s Dookie

NOT HOT: If Andy Warhol were still alive today, this is what his shit would look like. Please flush the toilet when you’re done.

Photo: Kara E. Murphy

Click here for more GrimyGoods fucked up Hot vs Not photos!

Austin’s Brazos Unveil Cover Art and Tracklisting For “Phosphorescent Blues”

Delivering vocals as sweet as sugar sprinkled over delicate rhythms and soothing melodies, Austin’s latest indie sensation, Brazos, are trotting their way to our hearts with their delicious sound.

Brazos began as the solo recording project of songwriter Martin Crane, who debuted his smart, lyrical songs in late 2007 with the acclaimed EPs “Feeding Frenzy” and “A City Just as Tall.” While “Feeding Frenzy,” written and recorded in one feverish weekend, emerged as a delirious brand of catchy, multi-layered minimalist folk, “A City Just as Tall” came just as quickly but sharper, both lyrically and musically, and proved that Mr. Crane was up to an intriguing start. Crane tapped friends, guitarist Nathan Stein and bassist Paul Price, and after rolling through a few drummers including White Denim’s Josh Block, finally selected local drum-maestro Andy Beaudoin, whose credits include a Master’s in Jazz Studies from the New England Conservatory in Boston, to play the new material, and Brazos was born.

Tracklisting

1. My Buddy
2. Kid
3. The Observer
4. Avignon
5. Pues
6. Day Glo
7. Tell
8. Downtown Boys
9. We Understand Each Other
10. For So Long Now

US Tour Dates
With White Denim

10/24 – Mohawk – Austin, TX
10/31 – Granada Theater – Dallas
11/02 – Firebird – St Louis, MO
11/03 – Jackpot – Lawrence, KS
11/04 – 400 Bar – Minneapolis
11/05 – High Noon Saloon – Madison, WI
11/06 – Lincoln Hall – Chicago, IL
11/07 – Grog Shop – Cleveland, OH
11/09 – Horseshoe Tavern – Toronto, ON
11/10 – Il Motore – Montreal, QC
11/11 – TT the Bears – Cambridge, MA
11/12 – Music Hall of Williamsburg – Brooklyn, NY
11/13 – Kung Fu Necktie – Philadelphia, PA
11/14 – Rock N Roll Hotel – Washington, DC
11/16 – The Basement – Nashville, TN
11/17 – The Bottletree – Birmingham, AL
11/18 – The Earl – Atlanta, GA
11/19 – The Social – Orlando, FL
11/20 – Cafe Eleven – St Augustine, FL
11/22 – One Eyed Jacks – New Orleans, LA

Interview: Wolf & Cub’s Joel Byrne

Who chose the name Wolf & Cub? Why?

Well it was the best of a bad bunch and it was the only one we could all agree on. I stole it from a Japanese comic book, and later a film series, called ‘Lone Wolf & Cub’. So I named my band after a comic book which makes me a pretty big nerd.

How old are you guys?

Old enough to know better

What three words would you say describe your music?

Unpredictable, Percussive, Enigmatic

Why do you guys have two drummers?

http://www.youtube.com/watch?v=dZWVW7jXt3I

How did you come up with the name of you new album “Science and Sorcery?”

There was a lot of tension during the recording of this record; tension between the members of the band, tension between our producer and members of the band, it was just a very tense environment to be in. I wanted a title that eluded to that tension and the conflict that was erupting from that tension. Science and Sorcery, refers to two conflicting ideas or methods that are ultimately striving to achieve the same goal. That’s really how it felt when we were making the album, we all wanted the same thing, to make a good record, but we could never agree on the same method of achieving it.

How does it differ from your last album, “Vessels?”

For me it feels a lot looser, less claustrophobic than Vessels and a little more cohesive. Isn’t that odd? I described it as being both “looser” and “more cohesive” in my answer to that one, that doesn’t really make sense does it? I think when I say looser, I mean that it feels more relaxed in the delivery, like it’s been crafted by people who are more comfortable with what they’re doing. Vessels felt like we weren’t really in control of what were doing or maybe not certain enough of what we wanted to achieve. In retrospect I don’t think we were really prepared enough to make that album, I don’t feel that with this one.

What’s your track “What Are They Running” all about?

Its about doubt, well self doubt really, something that I tend to have far too much of. ‘They’ are ‘me’, so I guess when I was writing it I was really referring to myself and my inability to believe in myself and just questioning why that was. I was asking what it was that I’m running from? Or why I’m running. The end part was a happy accident and it’s probably our favourite thing on the record. It was the last day of recording and three of us got into a room and recorded a percussive jam. There was actually a helicopter flying over the studio at the time but unfortunately it wasn’t picked up by the mics.

If you could resurrect any musician to play a show with, who would it be and why?

Not sure about which musician, but I’d love to have a cup of tea with Bruce Lee, he could play a show with us too I guess but I’d rather just hang out with him and shoot the shit about getting into shape.

What’s your wildest tour story?

We crashed our car on a drive between Melbourne and Sydney, that wasn’t really wild in itself but by the end of the day we were all reduced to these primitive forms of what we once were, fighting and bickering like feral animals. We actually made it to Sydney in time to play the show, and it ended up being one of the best we’ve played, but it was memorable for all the wrong reasons.

What are you guys doing now that “Science and Sorcery” has dropped?

Lots and lots of touring, and between those trips we’ll start writing the next one. My aim is to have it demoed properly by the end of the year.

Anything else you’d like to add?

Eat your vegies, and be nice to your mother.

* GRIMY LASTS *

Last album you purchased?

I actually just got a Greatest Hits Compilation by ELO, but the last record I got that I didn’t pay for and am enjoying is a compilation put together by one of the bosses at our label. Ta Steve.

Last time you threw up from a heavy night of drinking?

Last year some time, and it was especially memorable because I threw up all over our supporting bands gear.

Last book you read?

“You can’t always get what you want” By Sam Cutler. Actually no it wasn’t actually, it was “Storms” by Carol Ann Harris.

Last place you did the nasty?

Your dreams.

Skatebook – Mike Vallely Edition

I’ve seen my share of skaters come and go. I’ve heard the words, “I’ll never quit skating” countless times just to find out the person who said that has quit skating. What was it that brought them to the breaking point of just stopping? Was it girlfriends, serious injuries, “growing up” and getting a “real job”, lack of health insurance, not ever getting sponsored, or being jaded by the industry that you wanted to be so much a part of? Who knows? I suppose these are all valid excuses, but what about the people who endure all of this and continue to make their mark in the skateboard world?

The Mike Vallely issue of Skatebook remains consistent and true to form with its great full page photos and chapters about skaters’ artwork, detailed pictures of their thrashed boards, and Jason Dill’s Fucking Awesome clothing line just to name a few. This issue of the Skatebook also features some real heavy hitters who are also some of my all time favorite skaters: Pat Duffy, Colin McKay, Neal Mims, Mike Vallely, and Chany Jeanguenin each have their own chapters in this book. This easily could’ve been the Duffy issue or the McKay issue of Skatebook. Both are equally amazing and have made their mark in the skateboard culture. There is no doubt in my mind, however, that Mike V. has earned the right to have his issue of Skatebook. Mike Vallely stands out to me because he has remained consistently dedicated to the skate culture even through some tough criticism, industry hypocrisy, and just plain haters that are out there. He does what he does and I respect and admire him for that. I hope he never ever quits skating, although I am 100% positive that he will be pushing wood until the day that he physically can’t do it anymore. Much respect and K.O.P.!!! (keep on pushing).

Words: Ryan Miller (Paelon)

Contents: 1. skated it | the art of deconstruction 2. pat duffy | the legendary 3. neal mims | living sober 4. the worst | of low card 5. laced | peter smolik and jake brown 6. colin mckay | icon status 7. chany jeanguenin | versatile 8. a brief history | of fucking awesome 9. mike vallely | world days 10. enjoi camping | at the berrics 11. what’s art | got to do with it

Buy Skatebook’s Mike Vallely edition for only $24.95 at www.skatebook.tv. Get the goods!

WARNING : SKATEBOOK #4 is of extreme mature matter. Parental Guidance is highly recommended.

2009 Red Bull Soapbox Race!

Photo: Camilo Rozo

You’ve seen the commercials, you’ve seen the flyers, but have you witnessed the ridonkulous action? No, well neither have I but I’ve heard nothing but goods about this crazy race of fun.

Red Bull Soapbox Race is set to speed through the streets of downtown Los Angeles. Forty-two teams are gearing up to race down Grand Avenue onto 5th Street this Saturday, Sept. 26. The wacky event will feature a field of 42 hand-made soapbox racers, driven by men and women daring enough to brave steep drops, a 90° turn and scary speeds in pursuit of achieving glory. But this race is far from your stereotypical childhood derby, and these are no ordinary vehicles! Angelenos can keep their eyes peeled for a giant nose, a bunk bed, a time-traveling DeLorean, Pac-Man, an Aztec temple and more zooming down Grand Ave and taking a sharp turn onto 5th Street next to Pershing Square Park.

Photo: Stan Evans

Get ready to see some whacked out characters: E.T. and Elliot flying over the moon, OJ Simpson being chased by the police and the cast from Alice in Wonderland riding a giant caterpillar. And where are the Wild Things? Also expect appearances by Speed Racer, James Bond, Falkor from The Never Ending Story and Lord Dark Helmet from Spaceballs and way more oddities!

See you there!

Bridezilla at the Echo

After reviewing their EP, I already knew these lil Aussies barely out of high school were quite the talent. As for their live performance this past Thursday night at the Echo, well, uh …

they were excellent.

Front woman, Holiday Carmen-Sparks’ vocals are ever-so enchanting even more so when she’s standing less than three feet away from you. With a bombshell Marilyn Monroe-like presence her vocals are out of this world amazing as they are alluring. Through intervals of intensity spawned by her equally apt counterparts, her diaphragm was hard at work belting out vocals out as far deep as her toes! At one point I thought she had been possessed by Bjork!

Although I’m sure their adolescent age contributed to their shy factor, I wish the shreddy violinist, Daisy Tulley had graced the crowd more with her epic skills. I could hear her cut some amazing shit on that violin of hers, bringing their set to insane peaks of emotion, but her back was turned to us the majority of the show.

Riding the wave of shred right up there with her, saxophonist Millie Hall blew some pretty mean brass. At one point the two were driving some crazy build up as Sparks’ vocals were conjuring a powerful spirit of emotion and intensity: gave me chills up my spine.

The guitarist, Pia MayCourtley is a lil tart with her ruby red lips and cool yet calm and collective stage presence. The only, and lucky man of the group to play alongside these rockettes, Josh Bush, was handling his own on the drums. Not to mention he was quite the cutie patootie.

Get their EP. Go see them live. You’ll be awe-struck.

PS – Model/Actress was pretty  damn sweet too! With two bassists and two guitarists, the stage was a rockin’ sword fight. Drummer was pretty bad ass too!

Bridezilla

Model/Actress

What’ Going on This Weekend LA?

A beautiful weekend ahead of us in Los Angeles, actually all of Cali for that matter. There’s lot of good shows going on this weekend! Too bad I won’t be attending any of them, although Bridezilla and Model/Actress at the Echo last night were top-notch! It’s wedding bells for me this weekend in one of my favorite cities, San Francisco!(and no, I’m not getting married)

If you LOVE lobster and good music, I highly reccommend you check out the The Port of Los Angeles Lobster Festival with The Henry Clay People and Dios!

♥ = Top picks

Friday, Sept. 18, 2009

SHOWS
Gipsy Kings @ Greek Theatre ♥
Charlatans UK, Giant Drag @ The Fonda
The Psychedelic Furs, Happy Mondays, Amusement Parks on Fire @ Club Nokia ♥
Everest, These United States, The Parson Red Heads @ Troubadour
Meat Puppets, Dead Confederate @ El Rey Theatre
Everest @ Troubadour
Little Boots, Music Go Music, Yes Giantess @ The Roxy
Night Horse, Sea of Air, Emeralds @ Bootleg Theater ♥
Hanne Hukkelberg, Dave Yaden & Skyler Stonestreet, Ruckus @ The Hotel Café
Meho Plaza, Octave Cat, Kill Kill Kill, The Blinding Light @ Pehrspace
Mod Amish, Marasol, My Secret Alphabet, Refrigerator, Falcon Eddy @ Mr. T’s Bowl
Saccaharine Trust, The Urinals, The Chuck Dukowski Sextet @ The Smell
The Absynths, Naima Earth, Family Tree Analog @ Echo Curio
Pink, The Ting Tings @ Staples Center
Bajafondo @ The Glass House ♥

DANCE!DANCE!DANCE!
Underground (indie, UKPop, Electropop, Rock and Soul) @ The Echo

Saturday, Sept. 19 2009

SHOWS
Cymbals Eat Guitars, The Depreciation Guild @ Troubadour ♥
Mason Jennings, Crash Kings @ El Rey Theatre ♥
Gipsy Kings @ Greek Theatre ♥
Pink Martini @ Hollywood Bowl
Porcupine Tree, Big Elf @ Club Nokia
The Most Serene Republic, The Grates @ Spaceland
The Henry Clay People, Dios, Dazzler, Love Grenades, Oliver Future @ The Port of Los Angeles Lobster Festival 2009 ♥
Southern Culture on the Skids, Triple Chicken foot, Speedbuggy @ Echoplex
Chelsea Girls, Killola, Go Betty Go @ The Roxy
Boomkat, Ryan Blakely Smith and the Voyage, Kat Parsons @ The Hotel Café
Echoes de Luxe, Mammal, The Swagger Sticks,Venus Illuminato @ Mr. T’s Bowl
The Humpers w/ The Hangmen, Stab City, Barrio Tiger @ Redwood Bar & Grill
War Tapes, Shiloe, UV Lights @ The Prospector
Dandy Warhols, Gram Rabbit, Spindrift, Les Blanks @ Pappy and Harriet’s Pioneertown Palace ♥

DANCE!DANCE!DANCE!
Bang! (Muse The Resistance release party)@ The Ruby

FILM
Lecture on Cedric Gibbons and Grand Hotel Screening @ Egyptian Theatre
Rosemary’s Baby @ Hollywood Forever Cemetery (Final Show of Season!) ♥

Sunday, Sept. 20, 2009

SHOWS
An Evening with Brian Eno @ Cal State Long Beach’s Carpenter Performing Arts Center ♥
Placebo, Nico Vega @ Club Nokia ♥
By Sunlight, Shirley Rolls, Last American Buffalo, Chris Garneau @ Spaceland
Frightened Rabbit, The Twilight Sad, We Were Promised Jetpacks @ Knitting Factory
The Avengers, Pansy Division, Paul Collins Beat @ The Echo ♥
India Calling! w/ Malkit Singh, Kailash Kher’s Kailasa, Ravi Shankar Centre Ensemble, Anoushka Shankar, Rhythm of Rajasthan @ Hollywood Bowl
Mount Eerie, Karl Blau, No Kids, Tara Jane O’Neil @ Center for the Arts, Eagle Rock
Correatown, Grizzly Owls, Map @ Echo Curio
Magnolia Memoir, Quincy Blaque, Ken Stacey, Still Waters Run Deep, @ The Hotel Café

METRIC OFFERS FREE REMIX OF “SICK MUSE” BY ADAM FREELAND ON HYPE MACHINE!‏

Adam Freeland has done a killer remix of Metric’s song “Sick Muse” from their album “Fantasies.”

Metric partnered up with Hype Machine and are offering the song as a FREE download in the site’s first ever download promotion.

Get the goods here!

LA’s Silversun Pickups to Headline LA Weekly NEW Festival “LA 101”

Touring left and right, Silversun Pickups are set to headline LA Weekly’s debut festival, “LA 101” on Tuesday, Nov. 3 at the Gibson Amphitheatre. Joining Silversun will be the adorable Matt & Kim and Portland’s drone rockers, the Dandy Warhols. Tickets go on sale this Saturday at 1 p.m. via Live Nation. Get on it!

The party, which celebrates the annual Best of LA issue, will not only highlight the best in music, but also shine a light on the area’s most innovative food and culture. Be sure to attend!